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Anonymous, Man in Goat Hair Trousers, late nineteenth century. Photograph inserted in an extra-illustrated edition of Nathaniel Hawthorne's The Marble Faun (Leipzig: Tauchnitz, 1860), n.p. Private collection.
Fig., Harriet Hosmer, Will-o-the-Wisp, modeled 1858. Marble. From Cornelia Carr, ed. Harriet Hosmer Letters and Memories (New York: Moffat, Yard and Company, 1912), n.p.
NY Evening Post 25 Feb 1867
Blanche McManus, St Vincent de Macon, undated. from Francis Miltoun, The Cathedrals of Southern France (Boston: L.C. Page and Company, 1905), np
"Miss Hosmer's Studio at Rome," Harper's Weekly 3, May 7, 1859, 193-294
Mary Elizabeth Williams, Baptistery, San Marco, Venice, ca. 1870s. Oil on canvas. Private Collection.
Macpherson
Anonymous, Louvre, ca. 1890-1900. Photograph. Library of Congress Prints and Photographs Division, Washington, DC.
Anonymous, Cityscape View Looking Toward Cathedral, Florence, ca. 1890-1900. Photograph. Library of Congress Division of Prints and Photographs, Washington DC.
Fidelia Bridges, Study of Ferns, 1864. Oil on Board. New Britain Museum of American Art, New Britain. Wikimedia Commons.
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