Bibliography

Bandiera, John D. “Form and Meaning in Hubert Robert’s Ruin Caprices: Four Paintings of Fictive Ruins for the Chateau de Mereville.” Art Institute of Chicago Museum Studies 15, no.1 (1989): 21-85.

Cailleux, Jean and Marianne Roland Michel. “From the ‘Museum’ to the Musee du Louvre: Schemes and Transformations in Connexion with Two Paintings by Hubert Robert” The Burlington Magazine, 105, no. 720 (1963): 1-9.

Carlson, Victor. “Hubert Robert in Rome: Some Pen-and-Wash Drawings” Master Drawings, 39, no. 3 (2001).

Carlson, Victor, and Hubert Robert. Hubert Robert: Drawings and Watercolors. Washington, D.C.: National Gallery of Art, 1978.

Diderot, Denis, and John Goodman. Diderot on Art. New Haven: Yale University Press, 1995. 

Dubin, Nina L. Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert. Los Angeles: Getty Research Institute, 2010.

Grasselli, Margaret Morgan and Yuriko Jackall. Hubert Robert. Washington, D.C.: National Gallery of Art, 2016.

Michel, Marianne Roland. “A Taste for Classical Antiquity in Town-Planning Projects: Two Aspects of the Art of Hubert Robert.” The Burlington Magazine, 114, no. 836 (1972): 1-6.

Radisich, Paula Rea. Hubert Robert: Painted Spaces of the Enlightenment. Cambridge: Cambridge University Press, 1998.

Voiriot, Catherine. “A Driven Yet Most Amiable Man.” in Hubert Robert, edited by Michelle Piranio,  45-56. Washington, D.C: National Gallery of Art, 2016. 

Winckelmann, Johann Joachim. History of the Art of Antiquity. Translated by Harry Francis Mallgrave. Introduction by Alex Potts. Los Angeles: Getty Research Institute, 2006.